For Edgar Entertainment, 2025 was a year of high-impact moments — the kind that don’t just look good on camera, but actually move the brand forward. From fashion weeks and runway productions to media coverage and international pageant presence, the year delivered what every modern entertainment company needs: visibility, credibility, and momentum.
This edition of Weekly 018 is a highlight reel of the year’s most memorable scenes — and the people who helped shape them.
What stands out most about 2025 isn’t just the glamour — it’s the consistency.
The brand’s strongest projects weren’t random “one-offs.” They were part of a bigger direction:
fashion production + talent management + media assets that actually perform.
In a world where everyone is creating content, Edgar Entertainment focused on creating moments — the kind that feel elevated, intentional, and worth remembering.
There are events that feel like a party.
And then there are events that feel like a statement.
The collaboration featuring Fashion Designers of Latin America, Miss Universe, and Giannina Azar was one of those rare nights where everything comes together: the setting, the styling, the energy, the scale.
It was bold, theatrical, and unapologetically glamorous — exactly what fashion should be when it’s done right.
Some red carpets are just red carpets.
This one felt like a milestone.
At the Hearts & Stars Gala with LLF, Ofir Korsia (Miss Israel 2024) delivered a moment that was equal parts elegance and presence. The kind of appearance that reminds you why pageantry still matters in the modern entertainment world — because when it’s done correctly, it creates stars.
It wasn’t just a look.
It was a message: we’re here, and we’re moving with purpose.
Every brand reaches a point where it has to stop acting like a “project” and start operating like a platform.
The release of the first issue of Edgar Magazine did exactly that.
With Kat Lotto (Producer) front and center, the moment marked a new chapter — not just celebrating talent, but documenting it. Building media. Creating a footprint. Turning highlights into something permanent.
Because in this industry, the real power isn’t only being seen.
It’s being remembered.
Miami Swim Week is fast, loud, and nonstop.
If you don’t move with a plan, you get lost.
This year, Edgar Entertainment didn’t just “attend.” The team produced over 1,000 media assets, capturing interviews and moments that extend far beyond the event itself.
Featuring Mara Topic (Miss Universe Ecuador) and Florence Garcia (Miss Universe El Salvador), the coverage wasn’t just content — it was brand-building. Clean visuals, strong energy, and real distribution value.
Runway isn’t just walking.
It’s storytelling in motion.
The Beverly Hills Fashion Week Summer Show delivered exactly what it should: confident looks, strong silhouettes, and that polished West Coast energy that always photographs well.
It was one of those shows where every frame feels usable — and that’s the difference between a good event and a great one.
Crowns are earned in a moment — but built over months.
The crowning of Melanie Shiraz as Miss Israel 2025 was one of the year’s defining highlights. It wasn’t just a title announcement. It was a turning point: a new face, a new era, and a clear sense of direction moving forward.
A strong winner doesn’t just represent a brand.
She elevates it.
New York doesn’t reward effort — it rewards execution.
During New York Fashion Week, Maggie Williams stood out with a presence that felt natural and polished, proving once again that the Edgar Entertainment team knows how to move in rooms that matter.
It wasn’t about trying to fit in.
It was about showing up like you belong.
Few productions are as visually demanding as bridal. Everything has to be perfect — lighting, details, styling, timing.
At Miami Wedding Week, the collaboration with Paola Estefania and Edgar MGMT brought that high-end editorial energy: structured, glamorous, and clean enough to look like a campaign.
This was fashion with a purpose — and a clear standard.
Not every moment goes viral for the right reasons.
This one did.
Featuring Lilia “Jiji” Gzraryan in a Miss Grand International moment that reached 10M+ views, this was one of the strongest examples of what Edgar Entertainment does best: turning beauty and presence into media that actually travels.
Because reach isn’t luck.
It’s timing, taste, and strategy.
2025 wasn’t just a year of pretty photos.
It was a year of proof.
Proof that Edgar Entertainment isn’t playing small.
Proof that the brand understands production.
Proof that talent, when positioned correctly, becomes influence.
And if Weekly 018 is any indication, 2026 isn’t about “trying.”
It’s about scaling what already works.
